Norton Simon Museum Finds a Long-Sought Degas Bronze
Edgar Degas, Arabesque over the right leg, left arm in front, modeled mid- to late-1880s, cast 1919–1921 |
The Norton Simon Museum has acquired a Degas bronze that fills a gap in its near-complete collection of such works. Known as Arabesque over the right leg, left arm in front, it goes on view today.
In 1977 Norton Simon bought 69 bronze modèles cast painstakingly from the fragile wax and clay sculptures found in Degas' studio after his death. Most of the "Degas bronzes" in museums had been cast from these modèles. That put the Simon bronzes one generation closer to the artist's hand. (Most of Degas' original waxes were acquired by Paul Mellon and donated to the National Gallery of Art.)
Three of the modèles were missing from the group Simon purchased. One of them—Horse trotting, the feet not touching the ground—was discovered at the foundry in 1979. Simon quickly bought it.
In 2001, after Simon's death, the Norton Simon Art Foundation committed funds to buy serial (non-modèle) casts of the two missing bronzes, if and when suitable examples turned up. Arabesque over the right leg… came on the market in late 2024, allowing its purchase as a 50th birthday gift to the museum.
All Degas bronzes are posthumous, and scholars debate whether the artist ever intended his wax sculptures to be cast in bronze. Arguably Arabesque over the right leg… hints that Degas was thinking of a medium with more tensile strength. The wax version is barely able to support the weight of its cantilevered limbs and must be shown with a distracting armature.
Edgar Degas, Arabesque over the right leg, left arm in front (wax), about 1885–1890. National Gallery of Art, Washington, DC |
Comments
As with Periera-era LACMA, the status quo in LA-Southern Calif over 40 years ago wouldn't cut it today. Even Paris is way beyond its Louvre-only period. NYC's Modern and Whitney of the 1970s now come off as quaint.
London's Tate Modern goes back to just 2000, and now Cairo has its impressive new Grand Egyptian Museum.
As for Simon's new Degas, it's a relief the sculpture doesn't evoke the dynamic of "a de facto museum of contemporary art, but frankly....not a very good one."