An American Wing That Looks Like America
Tse’s American scenesters look nothing like Grant Wood’s. Is it permissible to admire Tse’s eidetic skills as a watercolorist, or must Chinese Family be considered a DON’T in Barr’s Big Book of Modernism? LACMA bought the Tse watercolor not so long ago, in 2005, with funds by Mr. and Mrs. Thomas H. Crawford, Jr. It provokes in ways that a second-rate Hopper wouldn’t.
The installation mainstreams self-taught art with the school-taught kind. Clementine Hunter’s Camitte the Hair Fixer Is Doing Ceola’s Hair is on loan from the collection of Gordon W. Bailey. As Bailey told me, "Sans marginalizing categorization, Hunter’s magnificent painting is exhibited with other American masterworks." I’ll bet, this is the only place to see a Hunter next to a Hartley.
For still another alternative vision see the luminous view of Watts Towers by the multi-talented Gloria Stuart, at bottom of post. Like Tse, Stuart knew a thing or two about the crazy actor’s life.
LACMA’s American collection is thin next to the long-established East Coast institutions. That makes its example all the more relevant. If LACMA can deliver diversity at a high level of quality and interest, then institutions with bigger collections can. All it takes is the will.