Curtains for LACMA

LACMA has started to install curtains in the David Geffen Galleries. They are visible at left in the photo above.

Curtains are a counterintuitive choice for a modern museum, but architect Peter Zumthor used both sheer curtains and leather drapes in his lauded Kolumba Museum, Cologne. In 2022 the National Endowment for the Humanities allocated $500,000 to LACMA for curtain R&D.

2022 rendering of interior with curtains

This rendering, though old, gives an idea of the view from inside the building. The curtains would filter near-horizontal light around sunrise and sunset.

Critics have compared Zumthor's Wilshire-bridging museum to a freeway overpass. The removal of the steel formwork now allows a proper view of the building's underside. I can't say the freeway comparison is off base. The Wilshire bridge is dark and brutalist, not the ambiance you'd choose for a picnic. That's not to say it's uninteresting. There's even a certain rhyme with Levitated Mass. The Wilshire-level perspective of Zumthor's building fits that title at least as well as Michael Heizer's earthwork does. (Levitated Mass will be visible from gallery level, as shown in the rendering.)

Other renderings have the underpass illuminated by ground-level spotlights. That might change the effect (and yes, some freeway overpasses do the same thing).


Comments

Anonymous said…
I wish that second rendering represented the current design or as recently as 2022. Regrettably it's from several years ago, before the budget forced Zumthor to cut and adjust. The image back then implied the windows would be curved to mimic the huge, heavy concrete roof. But now they're squared-off glass, and they give the building a more clunky look.

The area above Wilshire Blvd will be reminiscent of a freeway overpass, not the type of setting appealing to many people. If the first floor, instead of being two smaller raised podiums, were more like that found in a typical building, the underpass effect might be less noticeable. Not sure how much of that is due to Govan's preference for a one-story exhibit space. But whether one or two floors, it seems that more square footage could have been inserted north of Wilshire, not south of it.

As for the windows, they'll probably duplicate the nature of the open 3 floors surrounding the atrium in the Ahmanson Gallery before they were sealed off.

I really hope the new building ends up being a big success. But the outcome might turn out compromised, as reality often is.
Curtains are the least of my concerns after seeing the top photo in this post. The concrete surface of this project is riddled with dark, splotchy stains resembling mold.
Oh, jeez Louise. Tell me all the time and money for this project, in the end, will not look worse than some of the worst parts of the New Jersey Turnpike!
Anonymous said…
The building looks better without the curved windows. Now there is a more dynamic interplay between the curved shape of the roof and the rectilinear form of the floorplate. Now, the facade has a pleated or faceted appearance that mimics the facade of the Japanese Pavilion.

As to the curtains, they are NOT a "counterintuitive choice." There are curtains at the New National Gallery, Berlin. That's as modern as it gets.
Anonymous said…
That's how Zumthor wanted it to look. At Vals, he deliberately allowed an underground stream to leach through one of the exterior walls because he likes some degree of imperfection.
The Dreamer said…
This cost over $750 million?!!
Anonymous said…
It can take more than a year for the concrete to fully cure and for the splotches to lighten. But then again, it could also be pour mixing and improper handling.
Anonymous said…
I really wish they went with the sand color