MOCA Gift: Hilary Pecis

Hilary Pecis, Silverlake Hillside, 2025. Museum of Contemporary Art, Los Angeles, purchased with funds provided by Shari Glazer

Hilary Pecis is known for Fauve-inspired streetscapes. MOCA has recently acquired Silverlake Hillside (2025), a purchase funded by tech entrepreneur and Manchester United team owner Shari Glazer. 

Measuring 77 by 92 in., the acrylic-on-linen painting features Western Exterminator Company's "Little Man" logo, a top-hatted gent about to pulverize a rodent ("Menace Mouse"). The rather disturbing image was designed in 1931 by commercial artist Vaughn Kaufman. Pecis' composition omits Menace Mouse but does include the line of 21 neon mice scampering beneath the Western Exterminator sign. Installed in 1952, the neon mice were animated until the 1960s, when the city decided they were too distracting to drivers on the 101 freeway. 

"Little Man" sign, Silverlake

Comments

Not saying hello to me. Edward Ruscha, but less successfully.
Anonymous said…
Some of her paintings are pretty. Some of her paintings remind me of greeting cards. There are no big ideas here.

... This must be a gift with an ulterior motive --- to bolster or increase the valuation of her work.

--- J. Garcin
Anonymous said…
MOCA should stop adding works to its collection until they can figure out how to increase its exhibition space or consolidate to one unified venue. MOCA Grand looked very dead currently with very few works on view. And Michael Asher exhibition did not help, it was a sn
Anonymous said…
> with very few works
> on view

I wonder if MOCA's director and curators like giving visitors a sense not only is their museum's square footage quite modest, but so is their collection too?

Across town, that's what LACMA's director and curators are into doing. Or certainly the latter more than the former. They like giving an impression they're struggling to fill all their wall and floor space. Not to mention all the stretches of vacant outdoor pavement around and under the Geffen.

https://youtu.be/UxzwuRlfAyw?si=TN4pkjHie4RaWVKJ

Meanwhile, the Museum of Fine Arts Boston and their classical-style building definitely doesn't look like an unfinished parking garage. But some of their installations do seem vaguely off in the way they are in the Geffen. Art objects, particularly paintings, in sections of the MFAB's enfilade-format rooms don't seem arranged as aesthetically skilled as they should be.

And if the gray concrete of the Geffen's walls and floors are overbearing, the old-timey wallpaper used in a lot of the MFAB is off-putting in another way.

From one extreme to the other.

Still, unlike LACMA, the MFAB doesn't give the vague sense of one having to say "coun-ty" with a southern twang. While wandering through a concrete parking garage and thinking, sooie, sooie. lol