Shōya House Photos

Interior of the Japanese Heritage Shōya House, about 1700 and reconstructed 2023. Photo: Joshua White / JWPictures.com. The Huntington Library, Art Museum, and Botanical Gardens 

The Huntington's 320-year-old Shōya House, moved from Marugame, Japan, and reconstructed in San Marino, opens this weekend. Here are some press photos.

Gatehouse. Photo: Joshua White / JWPictures.com. The Huntington Library, Art Museum, and Botanical Gardens
A 1970s typhoon destroyed most of the original gatehouse, used to shelter horses as well as a gatekeeper. The gatehouse at the Huntington is a reconstruction, adapted for restrooms and office space. 
Exterior view. Photo: Joshua White / JWPictures.com. The Huntington Library, Art Museum, and Botanical Gardens
The main house was home to the shōya, a tax collector/census taker/judge, as well as a village square of sorts. The 3000-sf. home's courtyard was used for weddings and seasonal celebrations.
Interior view. Photo: Joshua White / JWPictures.com
Exterior view. Photo: Joshua White / JWPictures.com
Cycads were a symbol of luxury. The home is set among landscape elements resembling the original site, including an orchard of citrus, persimmon, and mulberry trees. Even the rocks were moved from Japan and placed in corresponding positions relative to the house.

The Japanese Heritage Shōya House opens Sat., Oct. 21, 2023, in the north end of the Huntington's Japanese Garden. It will be open daily, noon to 4 PM.

Comments

Anonymous said…
Meanwhile, I notice the NY Times today posted an article with a photo containing the caption of: "The Los Angeles County Museum of Art...'Dining with the Sultan: The Fine Art of Feasting,' will be presented in the museum’s 18th-century period room from Damascus."

I've been wondering what has been going on with that bit of architecture from the Middle East. I assume it will be situated in the Resnick gallery. Meaning it will be a temporary exhibit as compared with the permanent period rooms in certain other museums. Or even as an outright free-standing building, such as the Shoya house at the Huntington. That's why the reduced square footage of the Zumthor/Govan overpass (but attached to a huge budget) isn't exactly the most well-thoughtout option for LACMA. But time will tell.
As I understand it, LACMA has designed a framework for the Damascus room that will make it (relatively) easy to install and deinstall in the Zumthor building or elsewhere. I assume the NYT is saying that *some* "Dining with the Sultan" objects will be shown in the Damascus room, to better suggest how it might have looked in the 18th century. I don't imagine they're planning to put a 200+ object show and its visitors in a room about 15 by 20 ft.
Anonymous said…
^ I'm sure you saw the recent interview in the NY Times of Peter Zumthor. He expressed some unhappiness about the budget of LACMA's project. Apparently the foundation of its new building had to be adjusted due to the notoriously tar-laden ground under Hancock Park. I'm guessing the underpinnings of the 1965 buildings didn't need as much engineering compared with the semi-cantilevered structure stretching over Wilshire Blvd.

Although it's exasperating by some of what's going on, in late 2023, it is what it is. What's that saying about closing the barn door after the horse has bolted? But Michael Govan, whenever he does retire, had better not leave a mess at LACMA. However, I do admit to being anxious to see Zumthor's building completed and opened. That and also the Lucas Museum, which will similarly float on two anchor points.
Anonymous said…
Even Zumthor seems over the whole LACMA project. I highly doubt he will ever build in LA again.