"I would write out what I wanted to be done, and then I would go to the computer center and look at the information and then type it out, resulting in the punched cards. I’d give it to the little man behind the door, and five minutes later, I’d get this drawing back. I’d sit down and make a change and give it to him…. It was like eating peanuts. I mean, one thing would lead to another, and you just kept on chewing."
The computer drawings are ASCII art, as we'd call it now. Ironically they seem less hard-edged than Hammersley's hand-made paintings. The painter achieved shimmering, trippy effects from a meager palette of periods, apostrophes, dashes, underscores, and O's.
|Frederick Hammersley, Like unlike, #6, 1959, oil on linen, 49 × 40 in. Private collection. © Frederick Hammersley Foundation|