Deana Lawson at the Underground Museum

Noah Davis envisioned a one-artist show for Deana Lawson at the Underground Museum. That's come to fruition with "Deana Lawson: Planes." The L.A. show follows similar exhibitions at New York's Sikkema Jenkins gallery and the Carnegie Museum of Art, Pittsburgh. (At top, Woman with Child, 2017).

Lawson creates staged, hyperreal portraits of black Americans and South Africans in their homes. The artist makes numerous interventions, and the family groupings aren't always what they seem.
Deana Lawson, Nation, 2018
Nation (2018) is disturbingly about teeth. One man is wearing a dental guide that Lawson spray-painted gold: "I wanted it somewhat to imitate jewelry and perhaps a torture device." At upper left is a photograph of George Washington's dentures, inserted into the larger photo's frame. A 1784 entry in the Mount Vernon ledger book seems to indicate that Washington paid his slaves for their teeth to make a new set of dentures.
Installation view, "Deana Lawson: Planes"

Comments

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I’m struck by how Lawson turns something as intimate as teeth into a layered symbol of power and exploitation. The detail about Washington’s dentures adds an unsettling historical weight. It also made me oddly curious about the present-day side of it all—like how much do dentures cost now compared to that painful history.